Okay, you’re cooking along on your manuscript. You love what you’ve written so far, the story’s gelling, and it looks like you might even meet your deadline. Then one day you plop down in front of the computer and what the?… it’s just not there anymore. Your mastery of words has evaporated, your ideas have turned to dust, and your brain is completely sucked dry of all creative juju. It’s even looking like the stuff you thought was so brilliant yesterday is actually a pitiful pile of banal blather that needs to be thrown into the trash compactor with wet coffee grounds poured on top. You begin wondering why you didn’t just become an auto mechanic like your aptitude tests all said you should.
Don’t despair, you just have a case of writer’s self-doubt. It happens to us all of us. At one time or another we all face the fear that our writing just isn’t good enough. So, what’s the cure? Some writers suggest that you simply write your way out of it. Well, hello? Writing’s the problem in the first place. Sometimes a different solution is required to remove the grotesque mass of creativity clogging goo from your stream of consciousness and to get your fingers tapping those keys again in that magical, enigmatic rhythm that causes delicious prose to literally pour onto the page like hot caramel.
Soothing Self-Doubt
Researching this subject, I was stunned at the number of articles on writers’ self-doubt. It’s an epidemic! So how do you wrestle the culprit to the ground and kill it? The short answer is: You don’t! That’s giving self-doubt way too much power over you.
The key is to relax and cut yourself some slack. Self-doubt is like the common cold—you can’t cure it, but you can soothe it and shorten it. Eventually it will go away by itself. Trust me.
Here are a few techniques to soothe and inspire you while waiting for your creative juju to return.
- Embrace your self-doubt. Robert Hughes said “The greater the artist, the greater the doubt. Perfect confidence is granted to the less talented as a consolation prize.” All talented writers have experienced self-doubt at one time or another. So, if you want to be considered up there with the greats, self-doubt is something you learn to deal with.
- Focus on your accomplishments, and resist the urge to compare yourself to others. Re-read your good reviews and fan posts. Ignore the people who just don’t get your work. It doesn’t matter how amazing your writing is, someone is going to trash it. It goes with the territory. Keep reminding yourself of how much you’ve already accomplished and how much more you still want to do. Call your mom, she’ll tell you how great you are.
- Find a good book on editing and polish up what you’ve already written. I love the rewriting process, because I always find a sentence or paragraph or scene that can be made better with a little shrewd editing. It builds confidence to improve on what you’ve already got, and it’ll give you something constructive to do until this passes. I recommend Stein on Writing by Sol Stein.
- Re-read a great piece of writing. Dust off your favorite book of all time and be reminded of what inspired you to write in the first place.
- Make a list of your favorite phrases, descriptions, and scenes of all time. Read through your list when you feel stuck. Find one emotion-packed word you can use or a phrase you can tailor to fit your own plot. Plug it into your story and start writing.
- Watch Elizabeth Gilbert’s superb TEDTalk “Your Elusive Creative Genius,” http://www.ted.com/talks/elizabeth_gilbert_on_genius.html. She’ll convince you that the divine attendant spirit who really writes your books is just taking a little break … she’ll be back!
Most of all, be patient!
Choosing your book cover is not simple, but it can make all the difference in whether your book gets more than just a passing glance. It’s not as complicated as some would have you believe. Articles abound claiming to have the “Five Critical Elements” or the “Ten Keys” for making your book fly off the shelf. But after synthesizing a number of articles on the subject, it appears to boil down to three closely interrelated and overlaping qualities: (1) The Pop Factor; (2) Genre Identity; and (2) Instant Connection.
The Pop Factor: It’s not rocket science. Visualize a crowded book shelf. Does your cover stand out? Is it distinctive and eye-catching? If not, it’s likely to get overlooked. Period. This doesn’t mean you make your cover as provocative as possible. Rather, the goal is for it to be captivating and clear. There is also a more subtle piece to this distinctiveness factor–your cover must speak to your target audience. Which brings us to …
Genre Identity: Does your cover follow the current trends in your genre or category? It’s great if you want to step out a little and forge some new ground while still appealing to your target audience. But genre confusion in a cover is a killer. If your category is YA and your cover looks like space opera sci-fi, forget it. It needs to appeal to teens (or adults who like to read YA). If it’s a mystery and it looks like a romance, people browsing the mystery shelves are not likely to pick it up. Do your research. What do the current best sellers in your genre look like? Which brings us to …
Instant Connection: Call this the Three Second Rule. Experts say the average person browsing in a book store gives your book approximately three seconds before deciding whether to pick it up or move on to the next. Does your cover engage the emotions, or at least intrigue the reader enough to want to read the back cover blurb? Your cover may be distinctive and eye-catching, but if it doesn’t instantly pique the emotions of your target reader, you’ve probably missed the boat, and a potential sale!
Covers that Score a Home Run: Two of my favorite YA covers (which also happen to be two of my favorite books this year) have nailed all three of these key factors: Splintered, by A.G. Howard and Cinder by Marissa Meyer:
Exception to the Rules: Of course there are always exceptions to the rules. If it hadn’t been for all the pre-release hype for the wonderful The Fault in our Stars by John Green, I never would have picked up this bestselling book. The cover doesn’t speak to me at all:
What do you think is the most important element of a good book cover? What’s your favorite book cover?
Are you a writer? Do you actually tell people you’re a writer? If so, do you get questions like “Are you famous?” “Are your books on the New York Times Bestseller list?” “Do you make any money at it?” In the past these questions intimidated me because, in my case, the answers are no, no, and none of your business.
Why do we writers find it so difficult to own up to our profession? Is it our insecurities? Is it that no higher authority has conferred the title upon us? Is it to avoid the probing questions that inevitably follow? For me it’s probably a combination of all of these.
When I graduated law school and passed the bar exam, I proudly proclaimed to anyone who would listen “I’m a lawyer.” My practical experience in the law at that point was paltry at best, but after years of law school and a grueling bar exam, I felt I’d earned the title, and I bandied it about like a badge of honor (though some people took it more as a condemnation than an accolade).
Why then, after publishing two novels, did I have difficulty saying: I’m an author?
After a bit of thoughtful analysis, I believe the reason is that writing is such an utterly personal endeavor. If you’re doing it right it’s like pulling your guts inside out and exposing the rawest, most vulnerable parts to the world. I passed off my writing as a hobby for so long because I didn’t want anyone to know just how vulnerable I really was. I didn’t want them to observe my innards laid bare and say “is that all you got?”
Lawyers experience wins and losses. Every loss is a blow to the ego, but many factors, other than sheer talent or lack thereof, contribute to legal defeats—maybe the case was a dog to begin with, maybe the client made the all the wrong moves, and so on and so on. In other words, lawyers are handed someone else’s mess and asked to tidy it up as best they can. An unfavorable outcome can’t necessarily be blamed on the lawyer.
Writers on the other hand create something from nothing. We whip words and imagination into combinations as yet unknown on this earth. But if some careless reviewer or tactless acquaintance deems our creation more repugnant than ravishing, our world crashes down. We feel we somehow we don’t measure up, and we have only ourselves to blame. How ridiculous is that?
Writing is art, pure and simple.
Some will appreciate your work, some will not. If you have produced a piece of writing—be it a novel, short story, article, poem, whatever—and you’ve done your best, that, in and of itself, is an amazing accomplishment! You have a right to be proud. Claim it, own it, and have the courage to ignore others’ opinions. Shout from the rooftops “I’m a writer!” Once you wear the mantle proudly, I believe you become a better writer because you now take your role seriously.
It took some time for me to internalize this. But at a recent cocktail party, the hostess introduced me to another guest by saying “This is my friend, Vicky. She’s a lawyer too.” I shook hands with the gentleman and promptly set the record straight. “Actually, I’m an author,” I said. “I haven’t practiced law in years.”
The man nearly swooned with envy. “That’s fantastic! I bet you don’t miss the practice of law at all.”
His reaction made me smile. You know, I haven’t missed the law for a minute!
Do you ever balk at telling people you’re a writer? If so, why? For those of you who declare it proudly, when did you first feel comfortable calling yourself a writer?
I’m a writer and author of novels, short stories and poetry. My TRANSCENDER TRILOGY blends science-fiction, fantasy, and romance in an exciting cross-dimensional adventure. My latest, The Weight of Air, is a short work of contemporary fiction presenting a tantalizing "Would I?/Wouldn't I?” dilemma.
